Yesterday we drove to Tucson (only about an hour away) to see the Mini Time Machine Museum of Miniatures.
Now doll houses are not on our list of things we necessarily want to see and these turned out to be a long way from what one would think of as "doll houses."
Our friend, Bill Smith, told us that this place was a "must see," so we decided to check it out.
As we walked up to the pair of huge doors, we noticed a miniature of the big doors right next to them. It all starts before you even go inside.
One exhibit was of famous people and some of the jewels they owned. (All of these exhibits are behind glass so occasionally you will see reflections in the glass.)
This was King Louis XVI (16th) in all his finery, gone to sleep while drinking a glass of wine, dropping the glass on the floor.
This one is Marie Antoinette. Every detail was exquisite. Even down to eyelashes. By the way, how did she ever move in a dress like that?
Yes, there were houses, but not to be confused with doll houses. There were also single "room" vignettes...and more...lots more. Actually 275 houses and room boxes. These look really large but most of these miniatures here are 1/12 scale.
This house was especially fascinating. It is called the Automated House of Emil Wick.
It is a three story wooden house or hotel, typical of Basel, Switzerland in the early 1800's, and populated with mechanical figures animated by a key-wound and weight-driven mechanism. Inside the cabinet base is a musical cylinder that chimes two different tunes.
The back side shows the intricate workings that make all the characters on the front side move.
This is The Orangerie-Villa di Luce.
It is a glass conservatory with handmade windows, including a scale copy of a Tiffany Fawn stained glass window.There was a detailed chandelier in the dining room, complete with individual candles.
This was one of my favorite Vignettes because it made me laugh. It's called, "A Christmas to Forget or Fido Brought Some Friends Home and Mary-Alice Let Them In."
This is a display of very tiny actual silver pieces, exact copies of large silver pieces. There was a video of how these are made. It was an amazing process and nearly as much work as making a full sized piece, maybe more.
This set of Waterford Crystal has an exact duplication but in extreme miniature that sits on the wood pedestal in the background. Jim Irish is a former Master Cutter at Waterford and now specializes in 1/12 scale versions of classic crystalware.
Sorry I couldn't give you more pictures from the Mini Time Machine, but size and lighting made pictures really difficult. I will say that this is truly a "Must See" stop in Tucson.
Today we went up to Scottsdale, 45 minutes or so away where the Arizona Indian Festival was being held.
There were a few colorful Indian dances going on...
A Hopi potter (Darlene James) demonstrating how she paints with just the single fiber of the Yucca plant. We are going up to some of the pueblos next week and may see her there.
There were quite a number of booths where Natives were selling their jewelry, rugs, and lots of other items.
This rug pretty much blew my mind when I saw it. Although it looks like it is a quilt of 20 Navajo rugs, it's not. It is ONE Navajo rug, woven all in one piece by several women.
This is called The Little Sister rug and measures 25 by 19 feet. There are five different classic styles of Navajo rugs here comprising one entire piece of art.
The lady in red is having her picture taken with Miss Navajo Nation in front of the rug. It also gives you an idea of the size of the rug behind her.
This is called Little Sister rug because there is another, even larger one that was made first. The first one is called Shima (My Mother). It is 37 feet, 10 inches by 24 feet, five inches. There were 10 weavers who took two years to make it.
I don't know how long it took to make Little Sister or how many weavers were involved, but it had to be similar to what was involved in making Shima.
These were both made in the village of Chilchinbeto and the original plan was to come up with something that would put the village on the map and bring in cash, making the community self sufficient.
In the 1970's, Chilchinbeto's Council Delegate, Charlie Billy and President, Billy Charlie (Yes, you read that right.) decided to focus their efforts on tourism.
They decided to own the largest turquoise nugget. Turquoise mines were hundreds of miles away but the people knew Charlie Billy to be a visionary and he was so much loved, that they went all in. Eventually they all had to deal with the failure of this plan and needed a Plan B.
Billy and his cronies then hatched a different plan. This one would rely on the Navajo's most reliable resource: the Grandmas.
Billy recruited 10 of the area's best weavers. Amazingly the weavers were able to agree on a design that incorporated all the major Navajo designs with a unique design in the center.
They commandeered the BIA gymnasium and the men constructed a gigantic loom, 38 by 25 feet to weave the largest Navajo rug.
The ladies sat a certain distance apart from one another, all working at the same time. The yarn had to come all the way from one end of the gym to the other, some times with the help of a come-along. They would roll up the finished part and keep on going.
The details of the smaller rug had to be very similar.
In case you haven't noticed, we were incredibly impressed by this rug. Sort of made the whole trip worth while.
Tomorrow we are going to Tucson for two days. We will be visiting friends there and I hope to go to the GEM Show that is going on there. However it has already started to rain with more in the forecast so we will see.
Originally after Tucson we were going to head home, but have found something more interesting to do, so stay tuned for future blog postings.